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9
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Orchestre d'harmonie
77
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16
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Vous avez sélectionné:
Colors Of The Wind
Orchestre
Partitions à imprimer
16 partitions trouvées
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1
Colors Of The Wind
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1404314 By Vanessa Williams. By…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1404314 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Mat Davis. Film/TV. 56 pages. Mat Davis #987415. Published by Mat Davis (A0.1404314). A stunning arrangement of Colors of the Wind from Pocohontas for Vocal Solo and Orchestra, suitable for any orchestras. Guaranteed to stir the emotions of your audience.It would make a fantastic addition to a film music programme, but also easily fit into a programme alongside classical repetoire or make a lovely encore to any concert. It has been tested throughout the arrangement process by an amateur film music orchestra in UK to ensure that it is suitable and balances well. I have tried to keep it as close to the original as possible, the key is dropped to C Minor/Major and there are some alterations and edits to make it more accessible. The solo instrument can be changed if requested. www.matdavismusic.co.uk.
$59.99
55.96 €
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Orchestre
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Vanessa Williams
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Mat Davis
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Colors Of The Wind
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Mat Davis
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SheetMusicPlus
Colors Of The Wind
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1020746 By Vanessa Williams. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1020746 By Vanessa Williams. By Alan Menken. Arranged by Brian Strohmetz. Contemporary. Score and parts. 61 pages. Brian Strohmetz #6657095. Published by Brian Strohmetz (A0.1020746). Colors of the Wind is a song written by composer Alan Menken and lyricist Stephen Schwartz for Walt Disney Pictures' 33rd animated feature film, Pocahontas (1995). The film's theme song, Colors of the Wind was originally recorded by American singer and actress Judy Kuhn in her role as the singing voice of Pocahontas. A pop ballad, the song's lyrics are about animism and respecting nature, finding its roots in indigenous Native American culture, perspectives which have later been adopted in both transcendentalist literature and New Age spirituality.This song received an Oscar for Best Original song.
$74.99
69.95 €
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Orchestre
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Vanessa Williams
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Brian Strohmetz
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Colors Of The Wind
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Brian Strohmetz
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SheetMusicPlus
Colors Of The Wind
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1350085 By Vanessa Williams. By…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1350085 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Mat Davis. Film/TV. 51 pages. Mat Davis #934860. Published by Mat Davis (A0.1350085). A stunning arrangement of Colors of the Wind from Pocohontas for Violin Solo and Orchestra, suitable for amateur/community orchestras. Guaranteed to stir the emotions of your audience.It would make a fantastic addition to a film music programme, but also easily fit into a programme alongside classical repetoire or make a lovely encore to any concert. It has been tested throughout the arrangement process by an amateur film music orchestra in UK to ensure that it is suitable and balances well. The solo instrument can be changed if requested.www.matdavismusic.co.uk.
$49.99
46.63 €
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Orchestre
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Vanessa Williams
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Mat Davis
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Colors Of The Wind
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Mat Davis
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SheetMusicPlus
The Wind in the Willows, A Ballet Pantomime in Three Acts Full Score and Individual Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730380 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730380 Composed by James Nathaniel Holland. Broadway,Children,Contemporary. Score and parts. 899 pages. James Nathaniel Holland #3069095. Published by James Nathaniel Holland (A0.730380). Kenneth Grahame's classic children's novel is brought to musical life by American Costa Rican composer James Nathaniel Holland in his adaptation of The Wind in the Willows for theatrical dance production, orchestra, soloists and chorus. This fine work is waiting to be premiered. Perfect for children's concerts.A musically sophisticated, lyrical and sentimental adaptation of Grahame's novel, which emphasizes his poetic chapters of Rat and Mole, while maintaining the comedy of Mr. Toad. The genius of this adaptation is full of orchestral colors; a fine introduction to classical music and the orchestra for any young person or novice. --- The Nutley Globe
$95.99
89.54 €
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Orchestre
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James Nathaniel Holland
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The Wind in the Willows, A Ballet Pantomime in Three Acts Full Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
The Wind in the Willows, A Ballet Pantomime in Three Acts Individual Instrumental Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730381 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730381 Composed by James Nathaniel Holland. Broadway,Children,Contemporary,Musical/Show. Score and parts. 599 pages. James Nathaniel Holland #3069119. Published by James Nathaniel Holland (A0.730381). Kenneth Grahame's classic children's novel is brought to musical life by American Costa Rican composer James Nathaniel Holland in his adaptation of The Wind in the Willows for theatrical dance production, orchestra, soloists and chorus. This fine work is waiting to be premiered. Perfect for children's concerts.A musically sophisticated, lyrical and sentimental adaptation of Grahame's novel, which emphasizes his poetic chapters of Rat and Mole, while maintaining the comedy of Mr. Toad. The genius of this adaptation is full of orchestral colors; a fine introduction to classical music and the orchestra for any young person or novice. --- The Nutley Globe
$66.95
62.45 €
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Orchestre
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James Nathaniel Holland
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The Wind in the Willows, A Ballet Pantomime in Three Acts Individual Instrumental Parts
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James Nathaniel Holland
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SheetMusicPlus
Colors Of The Wind
Orchestre
By Vanessa Williams. By Alan Menken. Arranged by Marek Czekala. Contemporary, Soul. …
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By Vanessa Williams. By Alan Menken. Arranged by Marek Czekala. Contemporary, Soul. Score and parts. 38 pages. Marek Czekala #6630935. Published by Marek Czekala
$59.00
55.04 €
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Orchestre
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Vanessa Williams
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Marek Czekala
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Colors Of The Wind
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Marek Czekala
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SheetMusicPlus
Colors Of The Wind - Score Only
Orchestre
By Vanessa Williams. By Stephen Schwartz and Alan Menken. Arranged by Demetrio Bonve…
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By Vanessa Williams. By Stephen Schwartz and Alan Menken. Arranged by Demetrio Bonvecchio. Film/TV. Score and parts. 19 pages. Published by Johnny Zenwith
$50.00
46.64 €
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Orchestre
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Vanessa Williams
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Demetrio Bonvecchio
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Colors Of The Wind - Score Only
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Johnny Zenwith
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SheetMusicPlus
Colors Of The Wind
Orchestre
By Vanessa Williams. By Stephen Schwartz and Alan Menken. Arranged by Demetrio Bonve…
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By Vanessa Williams. By Stephen Schwartz and Alan Menken. Arranged by Demetrio Bonvecchio. Film/TV. Score and parts. 76 pages. Published by Johnny Zenwith
$100.00
93.28 €
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Orchestre
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Vanessa Williams
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Demetrio Bonvecchio
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Colors Of The Wind
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Johnny Zenwith
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SheetMusicPlus
Colors Of The Wind
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1229572 By Vanessa Williams. By…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1229572 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Daniel de la Rosa Oliva. Film/TV. Score and Parts. 67 pages. Daniel de la Rosa Oliva #825380. Published by Daniel de la Rosa Oliva (A0.1229572). For Full Orchestra.
$65.00
60.63 €
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Orchestre
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Vanessa Williams
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Daniel de la Rosa Oliva
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Colors Of The Wind
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Daniel de la Rosa Oliva
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SheetMusicPlus
Colors Of The Wind
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1311090 By Vanessa Williams. By…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1311090 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Juan Villodre. 20th Century,Broadway,Film/TV,Musical/Show,Pop. 48 pages. Juan Villodre #900074. Published by Juan Villodre (A0.1311090). Colores en el Viento, for voice and full orchestra.
$49.99
46.63 €
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Orchestre
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Vanessa Williams
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Juan Villodre
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Colors Of The Wind
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Juan Villodre
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SheetMusicPlus
The Black Mass
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonat…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. Score and parts. 43 pages. Blake P. McCabe #743479. Published by Blake P. McCabe (A0.1143117). This composition is an arrangement of Scriabinâs Piano Sonata No. 9 Op 68. This piece has traditionally been nicknamed The Black Mass and was written for piano. Scriabin himself accepted this nickname for the piece and earlier on wrote a piece that would be nicknamed The White Mass. The Black mass was completed in 1913, a mere 2 years before his untimely death. The piece is built upon his âmystic chord, a hexachord built on fourths. Scriabin described this chord of embodying the divine and having a smoky tonal color, stemming from his own perception of sound as color. This piece moves from haunting sounds in its first motif to a chilling climax, returning to a mysterious murmur, and moves through multiple tempos to drag the listener along its march through its gothic vision, until finally returning to its first motif and leaving the listener haunted by the dark, colorful visions it invokes. To date of publication of this arrangement, I have yet to find an arrangement of The Black Mass for orchestra, band, nor symphony. The piece has many layers within it and includes complex polyrhythms typical of his music. The dark uncurrent, along with the form and choice of lack of direct key signature pose a unique challenge in the arrangement of this piece. I have deigned to maintain the feel of the original piano version, including his choice of time signatures and rhythmic choices while bringing it to life through the sounds of a modified symphony orchestra. This arrangement relies on the timbres of the instrument families to portray the emotional colors of the piece and particularly highlights the woodwind section of the symphony orchestra, along with the angelic sounds of the harp. Percussion is added through timpani, xylophone, glockenspiel, and multi-percussion to heighten the emotional experience of the arrangement.
$35.00
32.65 €
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Orchestre
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Piano Sonata No
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Blake P
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The Black Mass
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Blake P. McCabe
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SheetMusicPlus
Lily Park - I. Wind Bell
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00
15.86 €
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Orchestre
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Yoonjee Kim
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Lily Park - I. Wind Bell
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Yoonjee Kim
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Reals author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick IIs army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel IIs reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIIIs time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (187374) (when it enjoyed of a co-officiality) and the Second Spanish Republic (19311939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the countrys national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, its a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas estate in 1997 for 130,000,000 pesetas (~ 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
36.38 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Lily Park - II. Goblin Lights
Orchestre
Full Orchestra - Digital Download SKU: A0.1022809 Composed by Yoonjee Kim. Contempo…
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Full Orchestra - Digital Download SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim (A0.1022809). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.II. Goblin Lights
$17.00
15.86 €
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Orchestre
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Yoonjee Kim
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Lily Park - II. Goblin Lights
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Yoonjee Kim
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartokâs seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo ⦠Misterioso! II. Allegro con moto ⦠Evidence!!! III. Adagio ⦠Epistrophy! IV. Andante ⦠In Walked Bud! V. Presto ⦠Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause â thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carterâs Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monkâs Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monkâs Evidence is a tune with jabs and punches, irregularly placed within the measure â not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monkâs Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monkâs In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monkâs Rhythm-a-ning, I began the last movement with a solo for the percussion section â timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.32 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
In Bleak Midwinter's Moonlight - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1375804 Composed by French Cana…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sacred,Traditional. 70 pages. Mark R Lewis #960352. Published by Mark R Lewis (A0.1375804). In Bleak Midwinter's Moonlight is a medley of two Christmas carols, In the Bleak Midwinter and Twas in the Moon of Wintertime. The first carol was originally written as a poem by Christina Rossetti and published in 1872. It has been set to music several times, but the tune most associated with the text, Cranham, was composed in 1906 by Gustav Holst. The second carol is a French-Canadian Christmas carol first written by a Jesuit missionary in 1642. This tune is also called the Huron Carol.This medley is written for orchestra with 3-5 octave bell choir and goes back and forth between the two carols several times. Every time the carol changes there is a key change, sometimes between related major and minor keys and sometimes between two closely related keys. The melody is carried by the low, middle, and high ranges of the bells at some point in the piece and the accompanying voices are quite active throughout most of arrangement. Within the orchestra parts, the melody switches between woodwinds, brass, and strings several times, exploring several different sound colors throughout the piece.In Bleak Midwinter's Moonlight is between the level 3 and level 4 range of difficulty. There are definitely passages that will require work and the multiple key changes require multiple handbell changes, but bell changes are never very abrupt and accidentals only happen in the transition passages. The most difficult part will probably be making sure the melody is always heard even when it is buried below active accompaniment. A few times the bass bells have quick passages that will require sharing of bells or a lot of practice. For orchestra, this piece should be playable by most intermediate players, though some brass parts push the comfortable extremes of the instrument.
$34.99
32.64 €
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Orchestre
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French Canadian Carol and Gustav Holst
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Mark R Lewis
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In Bleak Midwinter's Moonlight - Full Orchestra
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Mark R Lewis
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SheetMusicPlus
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